An American in Paris; this evocative image is drawn from the book of the same title by Jean Paul Carlhian and Margot M. Ellis, published by Rizzoli in 2014. The book serves as a gorgeous compilation that showcases the remarkable work produced at the prestigious Ecole des Beaux Arts by American students who sought to refine their artistic talents in France. It delves into the concept of esquisse, which refers to a preliminary sketch or design, and highlights the intricate process these students undertook to transform an initial idea into a more polished and refined work that approaches perfection. Students who were trained in Paris during this transformative period brought their advanced skills back home to America, where they channeled their artistic vision into creating architectural masterpieces that are now iconic, such as those found in Penn Station and the New York Public Library.
The esquisse featured in this context is a captivating design for a gatehouse intended for a large estate, completed in 1908 by the talented architect Everett Victor Meeks. Meeks would later rise to prominence, eventually becoming head of the Yale Architecture School, where he influenced countless aspiring architects. I find myself continually admiring his technique, which effectively employs quick applications of color and shadow to achieve maximum visual impact. This method not only enhances the aesthetic appeal of his designs but also captures the essence of light and form, creating an engaging atmosphere that draws viewers into his architectural narratives.